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This is a personal decision making process which can vary from drawing to drawing.įor example, you might draw construction lines and guides to help you set up the drawing and get other lines in the right place. Heavier, darker lines suggest more importance, so you need to be selective about what information you are showing in your drawings, and the line weights you attribute to different elements. This is particularly important for making sense of perspective drawings, and for giving depth to 2D orthographic drawings - in particular Elevations and Section where space is flattened. This is because read thicker, heavier lines as being closest to us, whereas lighter lines recede into the background. Here, the typical rule is the closer the object, the darker the line the further away, the lighter the line.
#Architecture drawing for beginners plus#
Not least, so you aren’t continuously having to look up rules in order to draw! The plus side of this is that the more intuitive it is to you when you are drawing, the more intuitive it will be to whoever is viewing the drawing and trying to make sense of it later. Once you have a system in place, be sure to stick to it - or if something needs to be changed, change it everywhere.
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There is nothing more confusing than line weights which change rules in different parts of the drawing, or within a drawing set. If so, you can add more line weights, change the darkness or colour, or look at changing the line type to a dash or something similar to differentiate.īut more importantly, whatever rule you are following - be consistent! As you add additional elements or items of information to the drawing, consider whether you can make them to look the same as existing lines, or whether this would cause confusion. The number one rule is to use a variety of different line weights.Ĥ is probably a good starting point. These systems range from the simple (closest lines are darkest, further away are lighter) to the highly complex (elements in the drawing have pre-determined line-weights, based on value-decisions make by the architect).īefore jumping in to these more intensive situations, it is important to have a grasp on what line weights mean and how they are read, and what you should consider when incorporating them into your own work. Today, you can find pens with different nib sizes, and pencils and leads with different hardnesses to aid the process of producing different line weights.Īdditionally, all architectural computer-aided design programmes have in-built systems for generating and managing line weights in architectural drawings. It can be achieved through different thicknesses, intensities, and sometimes even different patterns - dashes, dots etc. Traditionally, you would generate a heavier line by applying more pressure, or by angling the pencil to produce a thicker line. Weight refers to the strength, heaviness, or darkness of a line against the background.